Monday, 8 February 2010

Tabloid Watch and the End of the Quiche As We Know It

Essential reading for anyone still sane is Tabloid Watch which looks suspiciously like The Guardian's Media Monkey.

I love the history behind the pathetic Tesco Quiche non-story that the Daily Mail carried for no known reason and turned into it's-the-end-of-the-world-as-we-know-it. I think Tescos Quiche causes cancer too. (That's an in-joke about the Daily Mail BTW)

So, please after reading this if you still think it's important that The Daily Mail brings us a story about one person who was asked for ID in error when buying a quiche in Tescos you have officially lost the plot.

Friday, 29 January 2010

The night sky was clear...

Closely linked to my story Telescopes, or possibly even in support of it, who knows, there is a chance to see the full moon and Mars together on the big stage at 9pm tonight. Skies are set to be clear. The moon is certainly looking magnificent at 17:30.

Yahoo: Mars and moon in heavenly show.

Rate my artwork here.

Thursday, 7 January 2010

Story Published


Those great people at Rainy City Stories chose to publish a story I submitted months ago, In-Car Valeting. Look, it's a giant metaphor, which is like a semaphore but meta.

Here's my artwork that accompanies the story (Watercolour, 17.8 x 25.4cm)

PS PS I'm spreading the word about the Veterans in Prison Association, VIPA. Their website is http://www.events21.com/ and they're also on Facebook.

Friday, 11 December 2009

If men had babies would there be wars?

Anish Kapoor's retrospective at the RA, which closes today, is making the news headlines because of its success, but I thought a load of red candle wax fired out of a canon didn't have the "emotional resonance" advertised. How could it? Kapoor's red was Christmas candle red and matched the RA shop's Christmas gift ideas. However, what do I know? The exhibition was jam-packed when I visited, with a lot of people going cor-wow.

For some emotional engagement, next door there is Wild Things, an exhibition of truly obsessed sculpting geniuses, Gill, Gaudier-Brzeska and Epstein. The show closes with the truly terrifying overpowering Rock Drill by Sir Jacob Epstein (1880 - 1959).

"...the astounding modern reconstruction of Epstein’s terrifying masterpiece Rock Drill of 1913-15, at once the first representation of a robot in art, and one of the first times a found object (a real rock drill) had been incorporated unchanged into any work of art. Those who first saw the statue were shocked by what looked to them like a big, aggressive phallic symbol. But as the Great War took its toll, it became impossible to see the towering mechanical creature as anything other than a symbol of death itself in an industrialised form. For now the robot and his tool looked like a machine gunner indiscriminately mowing down anything that crosses his path."

Look carefully at the torso, and you can see it appears to contain an unborn child.

Friday, 4 December 2009

Morrissey's Life Writing

I was in Tate Modern St Ives a few weeks ago and discovered some unpublished life writing by Morrissey tucked away in the book that accompanies the exhibition The Dark Monarch, Magic and Modernity in British Art. I thought it was pretty good. It's called The Bleak Moor Lies. Supposedly from his forthcoming autobiography.

I put it up on the Morrissey forums, and someone posted the whole story contravening copyright. I don't know why it's not published yet. Maybe a/ publishers won't pay Morrissey enough, or b/ publishers wanted the story of his bust ups/drugs to compete with Jordan/Ant and Dec, not really his kind of thing. Anyway, Saddleworth Moor is where Hindley and Brady hid their victims, and I think Morrissey's ghostly encounter is pretty well done.

Tuesday, 3 November 2009

Open Letter to Simon Cowell

Dear Simon,

You don’t know us, Simon, but we are Big Alf, Big Arthur, Big Wilf and Big Sid collectively known as the Lewes Posse. You are an hero to us down here in The Tally Ho! on the south coast of England, although sadly, not Big Sid who passed away on Saturday and never knew his one big love, Cheryl Cole, made it to number one.

We have taken the big bold step of writing to you because we have heard that you will leave Britain if John and Edward win. You, like us, are outraged by John and Edward. The success of those two talentless twerps in a honest, decent, talent show is beyond belief. You, like us, are appalled that ordinary people can be taken in by utter rubbish. What a disgrace! Rest assured that we too will leave this once great island together if, heaven forbid, they actually win.

But it doesn’t have to be that way, Simon. Take heart! We too are all appalled at how few of those so-called acts can actually sing or dance. Like you, Simon, we too are able to see through fakery, confront deluded fools, and puncture inflated egotists. Take Bill Oddie for one. How often are we all called upon to bravely lance the boil of those upstarts who cannot hold down a decent tune and who try to deceive us by pulling the wool over our eyes? With your good judgment, and honest manly forthright opinions, together we can change Britain for the good. We are all agreed that with you in charge, Simon, Britain can once again be truly called great. So please don’t leave, Simon. I know you have business interests abroad. I too have business interests in Spain and the Costa del Sol, but like me, your roots are here and believe me you have great support here in The Tally Ho!

We would go as far as to say we are one hundred per cent behind Her Majesty in finding room for a great man like you in the New Years Honours list. And it is with great honour that I can hereby announce that your efforts have not gone completely unnoticed, and you have at least been made a freeman of The Tally Ho! here in Lewes. We all look forward to seeing you here soon although please be aware that in November we have the men in to do the drains while it's quiet before Christmas.

Your truly
Big Alf, Big Arthur, Big Wilf and Big Sid (RIP)

Saturday, 3 October 2009

Alien Abduction in Upper East Side


After five nights in New York, I'm disoriented and my body clock is messed up but it was well worth it. NY was very inspiring. I had a hundred ideas for years of work. I’d never been to the US before. Caroline wanted to go, but I didn’t. From a UK writer’s point of view, I’m very glad I went. The effect was extraordinary. Getting out of JFK airport felt like the great weight of the UK’s resentful class system was lifted away, and suddenly everything and anything was possible. It’s no surprise that my writing credits have either been in my home town of Manchester, or the US.

I like New Yorkers. They have empathy, they’re realistic, pessimistic, funny, ironic, polite, sympathetic, direct, open and encouraging, Stop to take a photo and others stop to approve, and to see what you’re doing. NY is the place where you don’t get people trying to take you into care for being yourself. This photo of road works in East 64th typified my week. I passed a chaotic scene where workmen were lifting these huge lids off New York to let the steam out. But when I nipped back to take a photograph, there wasn't a workman in sight.